Widows: Review

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Steve McQueen, whose career took an Oscar-winning turn four years ago with the socially poignant film “12 Years a Slave,” continues to explore themes of race and identity in his latest thriller, “Widows.” This time, he combines racial themes with a powerful portrayal of female strength, making it a contender for another round of awards.

The plot unfolds with an intense police chase that leaves a group of thieves dead, thrusting their widows into a dangerous game of blackmail and politics. Viola Davis, playing the wife of the group’s ringleader portrayed by Liam Neeson, finds herself coerced by local gangsters who are also vying for political power. In response, she teams up with other widows to resolve the mess their husbands left behind.

McQueen demonstrates a strong directorial hand, particularly in the film’s opening act. His daring edits and unexpected camera movements quickly immerse the audience in the story, providing an elegant orientation to the complex web of relationships among the characters. As the film progresses, McQueen adopts a more subdued approach, allowing the characters to drive the narrative. This decision works remarkably well, showcasing McQueen’s aptitude for nuanced storytelling.

The film presents a morally complex Chicago, populated by characters who defy easy categorization as simply “good” or “bad.” The city is a melting pot, featuring not just black and white characters, but also Hispanics. It’s an American tableau of disenfranchised minorities and privileged whites, and the tensions between them are palpable. The characters, however, are well-drawn and their motivations relatable, making their inevitable conflicts both devastating and intense. While violence is not the primary focus, McQueen does not shy away from shocking the audience at key moments.

“Widows” seamlessly blends elements of a gritty thriller with a heist story, all while layering in social drama. The central trio of heroines—comprising a black woman, a Hispanic woman, and a Polish immigrant—highlights the film’s focus on strong, diverse female characters. While McQueen certainly presents a formidable challenge to the Oscar Academy with his multi-ethnic and multi-layered film, it would be unfair to label “Widows” merely as a diversity campaign. Thanks to masterful filmmaking techniques, McQueen delivers not only a compelling thriller but also a film with substantial social commentary, adding depth to an already captivating story.

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